By NANCY McCAULEY BRANSTETTERSpecial to The Oakland Press
The state’s tax incentives for filmmakers have been a boon for Michael Knight in more ways than one.The Walled Lake personal trainer not only got a job in a movie, but the exposure brought some new clients to his gym.
“We received a call at my gym, asking for a huge, menacing figure to play a part in an action film,” the 6-foot-6-inch Knight said, smiling.“I auditioned and got the part. And now, some of the actors are working out at the gym.”
The matchmaker on the other end of that phone was casting director Janet Pound of Pontiac. She and her partner, Kathy Mooney of Troy, cast several local actors for “Red Dawn,” including Nicholas Yu of Livonia as the Chinese delegate who has the job of convincing captured Americans that the invaders are their friends and the U.S. government is the enemy.
“Red Dawn” is the story of a group of teenagers who fight back against Chinese and Russian solders who invade the U.S. The original film helped launch the careers of Patrick Swayze, Charlie Sheen, Lea Thompson and Jennifer Grey. It was the first movie in film history released with a PG-13 rating, because of violence.
The remake of the 1984 film was shot in various locations around the state, including downtown Pontiac and several others in Oakland County.Even downtown Detroit, doubling as Spokane, Wash., was transformed into a police state with Russian and Chinese soldiers in uniform exhausted by combat scenes. The sculpted, imposing Knight is their ruthless leader, Col. Ivanov.
The cast of the remake also includes Chris Hemsworth (“Star Trek”), John Peck (“The Wackness”), Adrianne Palicki (“Friday Night Lights”) and Connor Cruise (“Seven Pounds”), who is the son of actor Tom Cruise. All, including local actors Knight and Yu, hope “Red Dawn” will again draw large audiences.
“Janet met me a couple of years ago while I was working a concession stand at The Performance Network,” Yu said. “She asked me if I would like to sign with a talent agency. I really didn’t know what to think.“She has me working as a presenter at auto shows, and now I’m in my first film. It is a blessing,” he added.
“Red Dawn” is the 18th film casting project for Pound and Mooney. The women formed their casting company in the spring of 2008 after the Michigan film incentives were put in place. Their casting credits include “Gran Torino,” “Whip It,” and HBO’s “Hung.” They are now casting “Cedar Rapids.”
“I love casting. It’s like solving a puzzle. You have to find just the right look and ability for each part,” Mooney said. “It is challenging, exhausting but very satisfying.”
Pound said the casting company acts as the ambassadors for Michigan.“I think people would be surprised to know we always urge the director, producers and cast to take time to see Michigan while they are here. One production coordinator from Los Angeles fell in love with northern Michigan and is looking at beach property.”
The duo has helped hundreds of Michigan’s seasoned professional actors land speaking roles in films made in the state. They work closely with local talent agencies to find actors, and often attend local theater performances to scout for talent.
“What an incredible job,” Pound said. “We love the actors and get to be the conduit to their dreams.”
After shooting in Pontiac, Royal Oak, Bloomfield Hills, Highland Township, Milford Township, Harper Woods, Mount Clemens, Grand Ledge and Detroit, “Red Dawn” is expected to wrap up in mid-December. The company has employed more than 300 local people, from caterers to skilled labor and extras.
Monday, November 9, 2009
Friday, October 16, 2009
You don't know Jack films in Pontiac Michigan
Al Pacino, thin with silver hair, fought his way through a crowd of protesters at the Oakland County Circuit Court building over and over again. The scene familar to many area residents who watched the now 81-year-old Dr. Jack Kevorkian also known as doctor death, lead his campaign to legalize assisted suicide. But this time the actors recreated history.
Dr. Death, as Kevorkian was known, was sentenced in 1999 for second-degree murder for the death of 52- year old Thomas Youk. He was given a 10 to 25 year sentence, but paroled in 2007 after agreeing not to assist in suicides. Kevorkian claims to have assisted in 130 suicides.
“The film covers a 12-year period beginning at the start of Jack’s activity to legalize euthanasia,” she said. “Al Pacino and all of us were drawn to the richness of character, Jack’s painting, music, writing and actions," said Lydia Pilcher, executive producer.
As a reporter for WJBK TV, I covered Jack Kevorkian. From his colorful interviews daring the authorities to arrest him after assisting in a suicide to his many court appearances. Watching HBO film "You Don't Know Jack" brought forth memories of a complicated man fascinated by death, indignant when questioned about his mission, and shocked that he could be convicted of helping people end their lives.
I recall very early morning, Dr. Kevorkian arrived in the studio. I'd just finished my morning news, and Dr. Kevorikan was to be interview for CBS network. He had a plateful of cookies he said he baked. The always hungry crew all passed, afraid the chocolate chips might contain fatal chemicals from his famous death machine used to inject poison into the veins of his ill clients.
Local broadcasters Kam Carman (TV2) and Bill Spencer (TV7) play reporters in the fray outside the courthouse. Carman reciting a long report about a '60 minutes' interview with Kevorkian gave with Thomas Youk taking his life. Spencer chased down Pacino's character through the crown, to get a comment .
Crews spent Thursday shooting exterior scenes at the Oakland County courthouse and near the closed Ducky’s Bar, at 44785 Woodward Ave., a Big Boy Resturant in Troy and the Sagano Motel, at 789 Woodward Ave.
Also starring in the film are John Goodman as Kevorkian’s friend Neal Nicol and Susan Sarandon as right-to-die advocate Janet Good. Good took her own life in 1997 while battling pancreatic cancer.Barry Levinson directs the film. His previous films include “Young Sherlock Holmes” and “The Natural
after agreeing not to assist with any more suicides.
“We have been shooting in New York and Detroit, so our crew is 50/50 New York and Detroit,” executive director Lydia Pilcher said. “We are every excited to come to Michigan because of your film incentives. Incentives are critical to filmmakers these days.”
Pilcher said the crews have taken footage of Hart Plaza and the Wayne County Courthouse, as well as skyline shots from Belle Isle and a Big Boy Restaurant in Troy.“The film covers a 12-year period beginning at the start of Jack’s activity to legalize euthanasia. This has been a terrific experience and I look forward to coming back to make another film,” Pilcher added
Christy Edwards was one of the extras protesting outside of the courthouse, and was even able to meet Pacino.“He is very friendly,” she said. “In fact, he has been taking care of the extras. He was worried that we were cold and had us move inside to warm up." she added.
The movie is slated to come out the spring of 2010.
Contact staff writer Shaun Byron at (248) 745-4685 or shaun.byron@oakpress.com. Special writer Nancy McCauley Branstetter also contributed to this report.
Dr. Death, as Kevorkian was known, was sentenced in 1999 for second-degree murder for the death of 52- year old Thomas Youk. He was given a 10 to 25 year sentence, but paroled in 2007 after agreeing not to assist in suicides. Kevorkian claims to have assisted in 130 suicides.
“The film covers a 12-year period beginning at the start of Jack’s activity to legalize euthanasia,” she said. “Al Pacino and all of us were drawn to the richness of character, Jack’s painting, music, writing and actions," said Lydia Pilcher, executive producer.
As a reporter for WJBK TV, I covered Jack Kevorkian. From his colorful interviews daring the authorities to arrest him after assisting in a suicide to his many court appearances. Watching HBO film "You Don't Know Jack" brought forth memories of a complicated man fascinated by death, indignant when questioned about his mission, and shocked that he could be convicted of helping people end their lives.
I recall very early morning, Dr. Kevorkian arrived in the studio. I'd just finished my morning news, and Dr. Kevorikan was to be interview for CBS network. He had a plateful of cookies he said he baked. The always hungry crew all passed, afraid the chocolate chips might contain fatal chemicals from his famous death machine used to inject poison into the veins of his ill clients.
Local broadcasters Kam Carman (TV2) and Bill Spencer (TV7) play reporters in the fray outside the courthouse. Carman reciting a long report about a '60 minutes' interview with Kevorkian gave with Thomas Youk taking his life. Spencer chased down Pacino's character through the crown, to get a comment .
Crews spent Thursday shooting exterior scenes at the Oakland County courthouse and near the closed Ducky’s Bar, at 44785 Woodward Ave., a Big Boy Resturant in Troy and the Sagano Motel, at 789 Woodward Ave.
Also starring in the film are John Goodman as Kevorkian’s friend Neal Nicol and Susan Sarandon as right-to-die advocate Janet Good. Good took her own life in 1997 while battling pancreatic cancer.Barry Levinson directs the film. His previous films include “Young Sherlock Holmes” and “The Natural
after agreeing not to assist with any more suicides.
“We have been shooting in New York and Detroit, so our crew is 50/50 New York and Detroit,” executive director Lydia Pilcher said. “We are every excited to come to Michigan because of your film incentives. Incentives are critical to filmmakers these days.”
Pilcher said the crews have taken footage of Hart Plaza and the Wayne County Courthouse, as well as skyline shots from Belle Isle and a Big Boy Restaurant in Troy.“The film covers a 12-year period beginning at the start of Jack’s activity to legalize euthanasia. This has been a terrific experience and I look forward to coming back to make another film,” Pilcher added
Christy Edwards was one of the extras protesting outside of the courthouse, and was even able to meet Pacino.“He is very friendly,” she said. “In fact, he has been taking care of the extras. He was worried that we were cold and had us move inside to warm up." she added.
The movie is slated to come out the spring of 2010.
Contact staff writer Shaun Byron at (248) 745-4685 or shaun.byron@oakpress.com. Special writer Nancy McCauley Branstetter also contributed to this report.
Thursday, October 15, 2009
Michigan Casting Director casts major films
Monday, September 28, 2009
Casting Director Reels in Local Actors For Films
September 6, 2009By NANCY MCCAULEY BRANSTETTERCarrie Ray has been preparing her whole life for her current role. As a casting director, she draws upon her acting and directing experience, but most importantly she says she can size up an actor’s personality instantly.Ray auditions dozens, sometimes hundreds of actors at her Royal Oak office to find just the right person to play a film character. She says she searches for special actors who are team players and are easily directed.
Casting Director Reels in Local Actors For Films
September 6, 2009By NANCY MCCAULEY BRANSTETTERCarrie Ray has been preparing her whole life for her current role. As a casting director, she draws upon her acting and directing experience, but most importantly she says she can size up an actor’s personality instantly.Ray auditions dozens, sometimes hundreds of actors at her Royal Oak office to find just the right person to play a film character. She says she searches for special actors who are team players and are easily directed.
“The actor must be believable in a role. They must connect to the character or camera and basically draw emotions from the director. The question is — do we believe you?” Ray said.As a young child Ray cast her cut-out dolls into families. Later, she made movies by placing her friends in various roles and, using a chunky VHS movie camera, recorded the action. After college she went to Chicago and worked with casting director David O’Connor, where she honed her casting skills.
“I learned so much about casting for film and commercials from the best,” Ray said. “David O’Connor taught me how to quickly analyze talent and bring the best out of them. It is an art; it really is. He taught me the creative side and the business side. You need both to be successful. He runs a tight ship, and I try to do that, too.”In the last year and a half, Ray cast actors for many movies including “Stone” with Robert DeNiro and Edward Norton, “Betty Ann Waters” starring Hillary Swank and “Up In The Air” with George Clooney. She is currently casting speaking roles for the film “Alleged,” which is shooting in Flint at Crossroads Village. Written by Michigan native Fredrick Foote, the film explores the Scopes Monkey Trial about evolutionary theory.She works closely with the talent agencies representing local actors. Ray compiles the best auditions on a reel to show the director, who makes the final judgment. Once in a while, she has trouble finding the perfect actor for a role and casts her net outside the normal channels.“I have a neighbor who played high school football, and I needed a football player. I asked him to audition and he got a roll in a Kim Cattrall film last year.
Recently, I interviewed people who lost their jobs, and six of them were flown to L.A. to be interviewed, documentary-style, for the film ‘Up in the Air’ with George Clooney,” she said.State film incentives enacted in the spring of 2008 are bringing filmmakers to the state, and local actors are getting a real shot at film roles.In some cases, some California-based actors are willing to fly in even for a couple of lines. With this once in a lifetime opportunity at hand, Ray urges local actors to embrace the opportunity.Carrie Ray has a few golden rules for new actors:Be available — when you get a call be on time and dependable;Be prepared — know the script and ask any relevant questions such as what do I wear, where do I go and is there a script I can study;Be professional — work hard and do a good job.
Make yourself stand out, be unique and integrate parts of yourself into the character to make it is your own;And, finally, always have a headshot, which is your calling card. That’s an 8-by-10 picture of your head and shoulders with your resume attached. It should reflect your personality. After all, it is really all about you. (Copyright 2009 - All Rights Reserved - Na)
Genesis Code filmed in Grand Rapids Michigan
Saturday, September 19, 2009
College student acts in ‘The Genesis Code’
By NANCY McCAULEY BRANSTETTER Special to The Oakland Press A group of Hollywood actors stood before a 30-foot green screen in a Grand Rapids warehouse last week, pretending to witness the birth of the universe. The matter and such will be added later in post production, so the actors must draw on their imaginations to react to the wonders they are not really seeing. “The Genesis Code” began its 30-day production schedule in Grand Rapids in early August and filmed the green screen magic.
College student acts in ‘The Genesis Code’
By NANCY McCAULEY BRANSTETTER Special to The Oakland Press A group of Hollywood actors stood before a 30-foot green screen in a Grand Rapids warehouse last week, pretending to witness the birth of the universe. The matter and such will be added later in post production, so the actors must draw on their imaginations to react to the wonders they are not really seeing. “The Genesis Code” began its 30-day production schedule in Grand Rapids in early August and filmed the green screen magic.
The film centers on two college students who struggle to reconcile creationism with their faith. A third of the cast and crew are Michigan residents, including Jil Szewski of Oxford. Szewski graduated from Grand Valley State University in 2007 with a degree in film and video, and set her sights on becoming an assistant director — the link between the director and the cast and crew. The film industry has exploded in Michigan since last year, when the state adopted tax credits of up to 42 percent to filmmkakers working here.
“I thought I would have to move to New York, Los Angeles or Chicago, but when the film incentives passed, opportunities popped up here at home,” Szewski said. “I’ve worked on nine films. I’ve been able to workmy way up and will have my dream job on my next film, ‘Grey Sky.’ “The assistant directors on ‘Genesis Code’ have taken me under their wing to get me ready,” she added with a huge smile. “The Genesis Code” is a $7 million feature-length film. The cast includes Ernest Borgnine, Fred Thompson, Louis Fletcher and Rance Howard, a veteran actor and father of actor-director Ron Howard. Twenty-five-year-old Logan Bartholomew plays a handsome college hockey player. Mark VanderWal, spokesman for “The Genesis Code,” said the film could not have been made in Michigan if the state did not offer incentives. Instead, it would have been shot in New Mexico and Louisiana. Both states offer film incentives.
“Working in Michigan is very different than working in L.A.,” Bartholomew said. “People are very kind, and I am having a great time exploring the local shops and restaurants,” he added. Adam Chambers, who plays a brilliant student and convincingly delivers difficult scientific lines about time and space and the origin of the universe, said he is also enjoying his Michigan experience. He even visited a state fair in Lowell.
“Everyone is so nice. I off-handedly mentioned candy would taste good after a very long day on set, and when I got back to by trailer there were Skittles waiting for me,” Chambers said, beaming. “They are spoiling me and it is great.” The film, from Michigan-based American Epic Entertainment, will be in theaters around the holidays.
Annabelle and Bear shot in Michigan
Local filmmaker seeks talent for ‘Annabelle & Bear’
By NANCY McCAULEY BRANSTETTER Special to The Oakland Press While Hollywood films can command staggering budgets in blockbuster films like the $200 million for the making of “Titanic,” a local filmmaker is making a movie on a leap of faith — faith in her story, cast and crew. Filmmaker Amy Weber, of Royal Oak’s Radish Creative Group, said she believes she’s making a film special enough to shine a spotlight on her company and launch her talented group into the world of moviemaking. “This crew is an amazing group people who have been making commercials with me for years,” said Amy Weber, co-author and director of “Annabelle & Bear.” “I asked them to take this journey with me to get back to the heart of why we all entered into this business: for the passion of filmmaking.” On a pretty fall day, a motorcycle rider, dressed in black leather, blasted by Weber as she drove with her own 3-yearold daughter, Ayden. Looking at the toddler riding in her car seat and thinking about a co-worker, who resembles the huge, rugged character “Bear” in the film, the idea for the tender story was born. That was nine months ago. The film tells the powerful story of a man who is suddenly thrust into fatherhood and through an unexpected chain of events discovers the life-altering love found in the heart of his little girl. After a dozen rewrites with Weber’s co-author Tracey Sims of Hamtramck, the story is ready to film, and she is asking her crew and Michiganders to help her make this movie. “I knew from the beginning that I would need to ask for a lot of help to make this movie happen, Weber said. “But this is much more than a movie. It is a beacon of hope for people struggling with joblessness and stressful times. It will be a chance for them to come and watch the story unfold, forget their troubles and be inspired.” Weber’s story needs a true cast of characters, from gruff, biker types, to a sweet 2-year-old girl. Her characters range from wide-eyed innocence to druggedout, depressed souls, and ordinary looking actors to bring her story to life. Hundreds of people, actors, cast and crew responded to Amy’s call. Auditions are by appointment only at Radish Creative Group at 326 E. Fourth St. in Royal Oak. The cast and crew have all agreed to work on promissory notes. They believe that if this film is successful, others may be made by Radish in Michigan. Weber says she is honored and humbled by the overwhelming response. “We want Hollywood to realize we have great talent right here at home,” Weber said. “We hope this film will be the first of many for Radish, and that it reveals that you don’t need to travel to the coasts or spend mega millions to tell a great story. Sometimes, the quietest of movies make the loudest impact.” Weber is trying to find a distribution deal so her team can be compensated for their work and dedication. “Annabelle & Bear” will film for 15 days in August around the metro Detroit area. On the Web To learn more, visit www. Annabelleandbear.com. Weber Director Amy Weber watches Andrea Isom audition for a role during Radish Creative Group’s open casting call for “Annabelle & Bear.”
By NANCY McCAULEY BRANSTETTER Special to The Oakland Press While Hollywood films can command staggering budgets in blockbuster films like the $200 million for the making of “Titanic,” a local filmmaker is making a movie on a leap of faith — faith in her story, cast and crew. Filmmaker Amy Weber, of Royal Oak’s Radish Creative Group, said she believes she’s making a film special enough to shine a spotlight on her company and launch her talented group into the world of moviemaking. “This crew is an amazing group people who have been making commercials with me for years,” said Amy Weber, co-author and director of “Annabelle & Bear.” “I asked them to take this journey with me to get back to the heart of why we all entered into this business: for the passion of filmmaking.” On a pretty fall day, a motorcycle rider, dressed in black leather, blasted by Weber as she drove with her own 3-yearold daughter, Ayden. Looking at the toddler riding in her car seat and thinking about a co-worker, who resembles the huge, rugged character “Bear” in the film, the idea for the tender story was born. That was nine months ago. The film tells the powerful story of a man who is suddenly thrust into fatherhood and through an unexpected chain of events discovers the life-altering love found in the heart of his little girl. After a dozen rewrites with Weber’s co-author Tracey Sims of Hamtramck, the story is ready to film, and she is asking her crew and Michiganders to help her make this movie. “I knew from the beginning that I would need to ask for a lot of help to make this movie happen, Weber said. “But this is much more than a movie. It is a beacon of hope for people struggling with joblessness and stressful times. It will be a chance for them to come and watch the story unfold, forget their troubles and be inspired.” Weber’s story needs a true cast of characters, from gruff, biker types, to a sweet 2-year-old girl. Her characters range from wide-eyed innocence to druggedout, depressed souls, and ordinary looking actors to bring her story to life. Hundreds of people, actors, cast and crew responded to Amy’s call. Auditions are by appointment only at Radish Creative Group at 326 E. Fourth St. in Royal Oak. The cast and crew have all agreed to work on promissory notes. They believe that if this film is successful, others may be made by Radish in Michigan. Weber says she is honored and humbled by the overwhelming response. “We want Hollywood to realize we have great talent right here at home,” Weber said. “We hope this film will be the first of many for Radish, and that it reveals that you don’t need to travel to the coasts or spend mega millions to tell a great story. Sometimes, the quietest of movies make the loudest impact.” Weber is trying to find a distribution deal so her team can be compensated for their work and dedication. “Annabelle & Bear” will film for 15 days in August around the metro Detroit area. On the Web To learn more, visit www. Annabelleandbear.com. Weber Director Amy Weber watches Andrea Isom audition for a role during Radish Creative Group’s open casting call for “Annabelle & Bear.”
New movie studio for Michigan
While talk swirled about building movie studios around the state of Michigan, Harold Cronk and Mathew Tailford quietly built 10 West Studios in Manistee, in the northwest part of the state.
“We repurposed seven dry dock marine buildings, and now have a 150,000 square foot, full service studio with plenty of parking space for semi trucks, multi- million dollar camera, lighting and equipment package and are ready to roll,” said Harold Cronk.
10 West Studios has a strategic allegiance with HD Studios of Farmington Hills. That means HD Studios will process and edit the film for 10 West Studios, and then transfer it to a high definition format.
“We are very excited to work with Harold and his team. We have the only film lab in the state, so we will be very involved with their productions,” said Ginny Hart, HD Studios Vice President of Sales.
It’s been a long journey for Cronk, who started as an art teacher in northwestern Michigan. He used his summers away from the classroom to work on film productions. He convinced his wife to move to Los Angeles, California in 2005, to break into the movie business.
It didn’t take long for Hollywood to notice Cronk. In 2006, Harold Cronk won the Best Director award at the Beverly Hills Film Festival for a film he shot in Michigan called War Prayer. That prestigious award opened some important doors for him.
“I signed a multi-picture deal with Origin Entaintainment, and the first of those projects will be a children’s comedy adventure film, shot right here at 10 West Studios,” Cronk said.
You may ask why Cronk and Tailford, also former art teacher, chose to build their studio in Manistee. They say it’s because this is home, where their families live and where they want to raise their children. The film makers want to work in their home state, and bring new opportunities to their local community.
Manistee is just beautiful” said Cronk. “It’s known as the Victorian Port City. The downtown main street has amazing architecture and looks like a Hollywood back lot. With the support we have from the local community, shooting here will be a delight,” he added.
Cronk and Taliford partnered with Jeff Seng of Seng Marina to convert the yacht storage building with high ceilings, critical to accommodate lights and sets, into 10 WEST studios.
“It made perfect sense. The economy has taken a toll on yachting, so this is a great use of space.” said Cronk. “And we are very close to the water should we need it for a scene,” he pointed out.
Infrastructure and crew base are two critical issues for any production looking to make a movie in Michigan. While a scramble is underway to build studios in SE Michigan, Cronk believes he has both covered. 10 West offers both waterfront and ironworks stages from 15,000 to 45,000 ft .with ceilings from 30 to 55 ft.
And what about a film crew? 10 West Studios partnered with West Shore Community College to use a federal grant from the Department of Labor to create an eight week film training course. The first class will graduate at the end of the week, and will be ready for summer production work. Former students will work as grips, gaffers, trades and production assistants at the studio with cinematographer and 10 West Partner, Henry Joy of northwest Michigan.
“The only cost to these folks is their time and energy. Most are unemployed or under-employed people who will soon have new careers. We want to support the community, and they are supporting us,” said Cronk.
Cronk believes this is the time Michigan film makers must get a foothold in the film industry. Looking ahead ten years, Cronk says writers and actors will flourish on the coasts, but if homegrown movie makers will stay in Michigan and make their films here, the industry will flourish in the state.
“I am from Michigan and am committed to this state. I won’t be one of those film makers that take the 40% State rebate to make the movie, and runs back to LA.,” said Cronk. “We are here to stay. Our goal is make sure film makers have a great experience here. We want them to leave smiling and happy.” he added.
“We repurposed seven dry dock marine buildings, and now have a 150,000 square foot, full service studio with plenty of parking space for semi trucks, multi- million dollar camera, lighting and equipment package and are ready to roll,” said Harold Cronk.
10 West Studios has a strategic allegiance with HD Studios of Farmington Hills. That means HD Studios will process and edit the film for 10 West Studios, and then transfer it to a high definition format.
“We are very excited to work with Harold and his team. We have the only film lab in the state, so we will be very involved with their productions,” said Ginny Hart, HD Studios Vice President of Sales.
It’s been a long journey for Cronk, who started as an art teacher in northwestern Michigan. He used his summers away from the classroom to work on film productions. He convinced his wife to move to Los Angeles, California in 2005, to break into the movie business.
It didn’t take long for Hollywood to notice Cronk. In 2006, Harold Cronk won the Best Director award at the Beverly Hills Film Festival for a film he shot in Michigan called War Prayer. That prestigious award opened some important doors for him.
“I signed a multi-picture deal with Origin Entaintainment, and the first of those projects will be a children’s comedy adventure film, shot right here at 10 West Studios,” Cronk said.
You may ask why Cronk and Tailford, also former art teacher, chose to build their studio in Manistee. They say it’s because this is home, where their families live and where they want to raise their children. The film makers want to work in their home state, and bring new opportunities to their local community.
Manistee is just beautiful” said Cronk. “It’s known as the Victorian Port City. The downtown main street has amazing architecture and looks like a Hollywood back lot. With the support we have from the local community, shooting here will be a delight,” he added.
Cronk and Taliford partnered with Jeff Seng of Seng Marina to convert the yacht storage building with high ceilings, critical to accommodate lights and sets, into 10 WEST studios.
“It made perfect sense. The economy has taken a toll on yachting, so this is a great use of space.” said Cronk. “And we are very close to the water should we need it for a scene,” he pointed out.
Infrastructure and crew base are two critical issues for any production looking to make a movie in Michigan. While a scramble is underway to build studios in SE Michigan, Cronk believes he has both covered. 10 West offers both waterfront and ironworks stages from 15,000 to 45,000 ft .with ceilings from 30 to 55 ft.
And what about a film crew? 10 West Studios partnered with West Shore Community College to use a federal grant from the Department of Labor to create an eight week film training course. The first class will graduate at the end of the week, and will be ready for summer production work. Former students will work as grips, gaffers, trades and production assistants at the studio with cinematographer and 10 West Partner, Henry Joy of northwest Michigan.
“The only cost to these folks is their time and energy. Most are unemployed or under-employed people who will soon have new careers. We want to support the community, and they are supporting us,” said Cronk.
Cronk believes this is the time Michigan film makers must get a foothold in the film industry. Looking ahead ten years, Cronk says writers and actors will flourish on the coasts, but if homegrown movie makers will stay in Michigan and make their films here, the industry will flourish in the state.
“I am from Michigan and am committed to this state. I won’t be one of those film makers that take the 40% State rebate to make the movie, and runs back to LA.,” said Cronk. “We are here to stay. Our goal is make sure film makers have a great experience here. We want them to leave smiling and happy.” he added.
It seems Hollywood actress Aunjanue Ellis was in good hands as she prepared for her upcoming film, “Good Hands.” Thanks to Clarkston resident and passionate concert violinist Jessica Enderle, Ellis, who plays the wife of Cuba Gooding Jr., is learning about making music with a violin.
“Gifted Hands” is the inspiring, true story of nationally known Detroit pediatric neurosurgeon Ben Carson, played by Gooding, 41. Carson, who grew up in the inner city, was inspired by his single mother to attend Yale University and the University Of Michigan Medical School. Following that stint, at the age of 33, Carson became the director of Pediatric Neurosurgery at Johns Hopkins Hospital in Maryland.
While at Yale, Carson met a beautiful violinist and his future wife, Candy, portrayed by Aunjanue Ellis.
Between the daily scramble of performing and giving private violin and viola lessons, Enderele, who celebrates her 27th birthday later this month, turned Ellis into an extraordinary violinist, or at least made her look like one.
“Aunjanue is a bright, wonderful person, but she doesn’t even read music,” says Enderle of her teaching experience with the 39-year-old actress. “I knew I had my work cut out, but I liked the challenge,” she adds.
A challenge indeed. With only a few hours of coaching, the filming began last fall? Ellis was expected to play the violin like a professional. Enderle worked tirelessly on the actress’ technique and facial expressions.
“She wanted her face to tell the story, but with musicians, the music does the talking,” explains Enderle, who has been a professional violinist for more than a decade, and begged her parents for lessons after seeing the Disney movie Fantasia as a child. Enderely loves performing and teaching and had confidence her new pupil would learn quickly. “We needed to calm her expression, and work hard on her technique. She was a great student,” she continued.
Enderle not only coached Ellis, but she was also asked to hire other musicians to perform the music for the scene. Playing with the musicians while watching Aunjanue play was intense, but there were a few light moments, Enderle recalls.
“Cuba was very funny and made jokes about his 1960s costume and Afro wig looking like it belonged in an Austin Powers movie,” Jessica recalled.” While I wore ridiculous costume- red tights, camel-colored high heels, a miniskirt with bright colors, and a peach blouse with gigantic sleeves and tons of big fake jewelry,” she added.
Actress Sarah Neubauer of Dearborn played a nurse in the film. She, too, found Gooding to be in good humor over the period costumes. “Cuba was super nice to everyone,” recalls Neubauer, “and he took moments to really say hey and acknowledge the work everyone was doing. He even graciously took stabs at his costumes. And who knew there was so much attention needed for fake sideburns? Sarah added.”
Both Enderle and Neubauer experienced Hollywood’s typical makeup and wardrobe ordeal, and then sat for hours just to film 45-second scenes, one in a hospital, the other in a concert hall.
Enderle was proud of what she and Ellis accomplished. “I knew she could do it,” the music teacher says. “She may not have hit all the right notes, but she looked great playing.” And in Hollywood, if it looks right on the screen, then it is right.
“Gifted Hands” will appear on TNT television network Feb. 7 as a Johnson & Johnson Spotlight Presentation.
“Gifted Hands” is the inspiring, true story of nationally known Detroit pediatric neurosurgeon Ben Carson, played by Gooding, 41. Carson, who grew up in the inner city, was inspired by his single mother to attend Yale University and the University Of Michigan Medical School. Following that stint, at the age of 33, Carson became the director of Pediatric Neurosurgery at Johns Hopkins Hospital in Maryland.
While at Yale, Carson met a beautiful violinist and his future wife, Candy, portrayed by Aunjanue Ellis.
Between the daily scramble of performing and giving private violin and viola lessons, Enderele, who celebrates her 27th birthday later this month, turned Ellis into an extraordinary violinist, or at least made her look like one.
“Aunjanue is a bright, wonderful person, but she doesn’t even read music,” says Enderle of her teaching experience with the 39-year-old actress. “I knew I had my work cut out, but I liked the challenge,” she adds.
A challenge indeed. With only a few hours of coaching, the filming began last fall? Ellis was expected to play the violin like a professional. Enderle worked tirelessly on the actress’ technique and facial expressions.
“She wanted her face to tell the story, but with musicians, the music does the talking,” explains Enderle, who has been a professional violinist for more than a decade, and begged her parents for lessons after seeing the Disney movie Fantasia as a child. Enderely loves performing and teaching and had confidence her new pupil would learn quickly. “We needed to calm her expression, and work hard on her technique. She was a great student,” she continued.
Enderle not only coached Ellis, but she was also asked to hire other musicians to perform the music for the scene. Playing with the musicians while watching Aunjanue play was intense, but there were a few light moments, Enderle recalls.
“Cuba was very funny and made jokes about his 1960s costume and Afro wig looking like it belonged in an Austin Powers movie,” Jessica recalled.” While I wore ridiculous costume- red tights, camel-colored high heels, a miniskirt with bright colors, and a peach blouse with gigantic sleeves and tons of big fake jewelry,” she added.
Actress Sarah Neubauer of Dearborn played a nurse in the film. She, too, found Gooding to be in good humor over the period costumes. “Cuba was super nice to everyone,” recalls Neubauer, “and he took moments to really say hey and acknowledge the work everyone was doing. He even graciously took stabs at his costumes. And who knew there was so much attention needed for fake sideburns? Sarah added.”
Both Enderle and Neubauer experienced Hollywood’s typical makeup and wardrobe ordeal, and then sat for hours just to film 45-second scenes, one in a hospital, the other in a concert hall.
Enderle was proud of what she and Ellis accomplished. “I knew she could do it,” the music teacher says. “She may not have hit all the right notes, but she looked great playing.” And in Hollywood, if it looks right on the screen, then it is right.
“Gifted Hands” will appear on TNT television network Feb. 7 as a Johnson & Johnson Spotlight Presentation.
14 year old Michael Kurowski loves nature, scouting and theater. Sound like your average teenager? Yes, except for during this past July.
In one month, Kurowski went from starring in the Bloomfield Hills St. Hugo of the Hills school play to walking onto the Royal Oak film set of Gran Torino, and shaking hands with legendary director and star Clint Eastwood.
“I thought I was meeting Dirty Harry, but he was really nice and has a great sense of humor,” said a star-struck Michael. “It all started because I loved being on stage so much that I asked my parent to sign me up with a talent agency. The casting people liked my headshot, asked me to audition and I got the job,” the excited teen added.
Kurowski and the other principle actors were cast by Pounds Mooney Casting, of Madison Heights. “I cast Michael as Eastwood’s grandson because he is the right age, with the right look and has acting experience,” said casting director Kathy Mooney. “Michael did a great job,” praised Mooney.
Michael plays the oldest of Walt Kowalski’s (Eastwood’s character) grandsons. Kowalski is a crusty Korean War Veteran and former auto worker, who develops an unlikely friendship with the teenage son of his new neighbors, an immigrant Hmong family. Kowalski is determined to reform the teen, who tries to steal Walt’s classic 1972 Gran Torino.
The film was shot in 33 days last summer in Highland Park, St. Clair Shores and Royal Oak. The cast and crew felt their 78-year-old director’s experience and no nonsense style. That meant very few takes of each scene, because Eastwood knew when he had what he need and moved on.
Michael noticed that focus, and also found a mentor. He says Eastwood helped him explore his character.
“My character is not really like me” Michael said. “Mr. Eastwood helped me to define my character. We got to know each other, and I made a friend,” beamed the young actor.
The $35 Million dollar film will be released December 25. Michael and his dad flew to Hollywood for the cast and crew screening December 8. He plans to see it with his friends when it opens locally. “They still can’t believe this happened to me and neither can I,” Kurowski said.
In one month, Kurowski went from starring in the Bloomfield Hills St. Hugo of the Hills school play to walking onto the Royal Oak film set of Gran Torino, and shaking hands with legendary director and star Clint Eastwood.
“I thought I was meeting Dirty Harry, but he was really nice and has a great sense of humor,” said a star-struck Michael. “It all started because I loved being on stage so much that I asked my parent to sign me up with a talent agency. The casting people liked my headshot, asked me to audition and I got the job,” the excited teen added.
Kurowski and the other principle actors were cast by Pounds Mooney Casting, of Madison Heights. “I cast Michael as Eastwood’s grandson because he is the right age, with the right look and has acting experience,” said casting director Kathy Mooney. “Michael did a great job,” praised Mooney.
Michael plays the oldest of Walt Kowalski’s (Eastwood’s character) grandsons. Kowalski is a crusty Korean War Veteran and former auto worker, who develops an unlikely friendship with the teenage son of his new neighbors, an immigrant Hmong family. Kowalski is determined to reform the teen, who tries to steal Walt’s classic 1972 Gran Torino.
The film was shot in 33 days last summer in Highland Park, St. Clair Shores and Royal Oak. The cast and crew felt their 78-year-old director’s experience and no nonsense style. That meant very few takes of each scene, because Eastwood knew when he had what he need and moved on.
Michael noticed that focus, and also found a mentor. He says Eastwood helped him explore his character.
“My character is not really like me” Michael said. “Mr. Eastwood helped me to define my character. We got to know each other, and I made a friend,” beamed the young actor.
The $35 Million dollar film will be released December 25. Michael and his dad flew to Hollywood for the cast and crew screening December 8. He plans to see it with his friends when it opens locally. “They still can’t believe this happened to me and neither can I,” Kurowski said.
Film Demoted comes to Milford
Hollywood magic turned drizzle into instant sunshine in downtown Milford last week. Excited star gazers gathered on Main Street hoping to see the cast of Demoted, a comedy about two tire executives who suffer payback when a mistreated employee gets ahead and they are demoted.
“I bought a coffee and heard they were filming,” beamed Milford resident Linda Shady. “This is just so exciting! Michael Vartan was posing for pictures.”
Michael Vartan “Alias”, Sean Astin “Lord of the Rings”, Sarah Foster, “The Big Bounce” and Patrick St. Esprit “Bury My Heart at Wounded Knee” walked the streets of Milford between scenes.
“I am really enjoying my time in Michigan,” said Vartan. “People are very nice and it’s great to be here.”
St. Espirit echoed the sentiment adding, “This is a charming community.”
Gina’s Bridal Shop and The Village Florist were two of several Milford locations selected for scenes. Judi Licavoli, owner of Gina’s was thrilled to have a shopping sequence take place in her store.
“They had a silly scene here with the groom (Vartan) and father of the bride (St. Esprit) modeling bridal veils for the bride (Foster),” said Licavoli. “Sean Astin was here even though he was not in the scene. He and Michael Vartan have some Scrabble word game they are playing on their phones. Sean was just here working on the game.”
Down the road at the Village Florist, the scene involved selecting flowers for the upcoming wedding. Shop owner Kathy Brock said the set designer moved things around and decorated the front of her store with soft white netting.
“It’s a gift,” said Brock. “I would definitely do this again.”
David Rumble, location manager for Demoted, is responsible for Milford’s moment of fame.
“I love Milford’s look and chose these locations because the town is film friendly,” said Rumble. “They made it easy for us to film here.”
Rumble’s comments brought a smile to the face of Village Manager Arthur Shufflebarger who is pleased the community is basking in the glow of a movie spotlight, and receiving a financial boost from Demoted. The Bar, Coratti’s and Main Street Tavern all report cast and crew members dining in their restaurants. Last Thursday, a group of 20 lunched at The Bar and several have become regulars.
“We like having a positive impact on the community and state,” said J. B. Rogers, director, Demoted. “About 90% of my crew is from Michigan.”
The movie may be called “Demoted”, but around Milford these days the warm feeling of being promoted is in the air, along with the crisp, cool chill of fall in Michigan.
“I bought a coffee and heard they were filming,” beamed Milford resident Linda Shady. “This is just so exciting! Michael Vartan was posing for pictures.”
Michael Vartan “Alias”, Sean Astin “Lord of the Rings”, Sarah Foster, “The Big Bounce” and Patrick St. Esprit “Bury My Heart at Wounded Knee” walked the streets of Milford between scenes.
“I am really enjoying my time in Michigan,” said Vartan. “People are very nice and it’s great to be here.”
St. Espirit echoed the sentiment adding, “This is a charming community.”
Gina’s Bridal Shop and The Village Florist were two of several Milford locations selected for scenes. Judi Licavoli, owner of Gina’s was thrilled to have a shopping sequence take place in her store.
“They had a silly scene here with the groom (Vartan) and father of the bride (St. Esprit) modeling bridal veils for the bride (Foster),” said Licavoli. “Sean Astin was here even though he was not in the scene. He and Michael Vartan have some Scrabble word game they are playing on their phones. Sean was just here working on the game.”
Down the road at the Village Florist, the scene involved selecting flowers for the upcoming wedding. Shop owner Kathy Brock said the set designer moved things around and decorated the front of her store with soft white netting.
“It’s a gift,” said Brock. “I would definitely do this again.”
David Rumble, location manager for Demoted, is responsible for Milford’s moment of fame.
“I love Milford’s look and chose these locations because the town is film friendly,” said Rumble. “They made it easy for us to film here.”
Rumble’s comments brought a smile to the face of Village Manager Arthur Shufflebarger who is pleased the community is basking in the glow of a movie spotlight, and receiving a financial boost from Demoted. The Bar, Coratti’s and Main Street Tavern all report cast and crew members dining in their restaurants. Last Thursday, a group of 20 lunched at The Bar and several have become regulars.
“We like having a positive impact on the community and state,” said J. B. Rogers, director, Demoted. “About 90% of my crew is from Michigan.”
The movie may be called “Demoted”, but around Milford these days the warm feeling of being promoted is in the air, along with the crisp, cool chill of fall in Michigan.
Monday, September 28, 2009
Casting Director Reels in Local Actors For Films
September 6, 2009
By NANCY MCCAULEY BRANSTETTER
Carrie Ray has been preparing her whole life for her current role. As a casting director, she draws upon her acting and directing experience, but most importantly she says she can size up an actor’s personality instantly.
Ray auditions dozens, sometimes hundreds of actors at her Royal Oak office to find just the right person to play a film character. She says she searches for special actors who are team players and are easily directed.
“The actor must be believable in a role. They must connect to the character or camera and basically draw emotions from the director. The question is — do we believe you?” Ray said.
As a young child Ray cast her cut-out dolls into families. Later, she made movies by placing her friends in various roles and, using a chunky VHS movie camera, recorded the action. After college she went to Chicago and worked with casting director David O’Connor, where she honed her casting skills.
“I learned so much about casting for film and commercials from the best,” Ray said. “David O’Connor taught me how to quickly analyze talent and bring the best out of them. It is an art; it really is. He taught me the creative side and the business side. You need both to be successful. He runs a tight ship, and I try to do that, too.”
In the last year and a half, Ray cast actors for many movies including “Stone” with Robert DeNiro and Edward Norton, “Betty Ann Waters” starring Hillary Swank and “Up In The Air” with George Clooney. She is currently casting speaking roles for the film “Alleged,” which is shooting in Flint at Crossroads Village. Written by Michigan native Fredrick Foote, the film explores the Scopes Monkey Trial about evolutionary theory.
She works closely with the talent agencies representing local actors. Ray compiles the best auditions on a reel to show the director, who makes the final judgment. Once in a while, she has trouble finding the perfect actor for a role and casts her net outside the normal channels.
“I have a neighbor who played high school football, and I needed a football player. I asked him to audition and he got a roll in a Kim Cattrall film last year. Recently, I interviewed people who lost their jobs, and six of them were flown to L.A. to be interviewed, documentary-style, for the film ‘Up in the Air’ with George Clooney,” she said.
State film incentives enacted in the spring of 2008 are bringing filmmakers to the state, and local actors are getting a real shot at film roles.
In some cases, some California-based actors are willing to fly in even for a couple of lines. With this once in a lifetime opportunity at hand, Ray urges local actors to embrace the opportunity.
Carrie Ray has a few golden rules for new actors:
Be available — when you get a call be on time and dependable;
Be prepared — know the script and ask any relevant questions such as what do I wear, where do I go and is there a script I can study;
Be professional — work hard and do a good job. Make yourself stand out, be unique and integrate parts of yourself into the character to make it is your own;
And, finally, always have a headshot, which is your calling card. That’s an 8-by-10 picture of your head and shoulders with your resume attached. It should reflect your personality. After all, it is really all about you. (Copyright 2009 - All Rights Reserved - Na)
By NANCY MCCAULEY BRANSTETTER
Carrie Ray has been preparing her whole life for her current role. As a casting director, she draws upon her acting and directing experience, but most importantly she says she can size up an actor’s personality instantly.
Ray auditions dozens, sometimes hundreds of actors at her Royal Oak office to find just the right person to play a film character. She says she searches for special actors who are team players and are easily directed.
“The actor must be believable in a role. They must connect to the character or camera and basically draw emotions from the director. The question is — do we believe you?” Ray said.
As a young child Ray cast her cut-out dolls into families. Later, she made movies by placing her friends in various roles and, using a chunky VHS movie camera, recorded the action. After college she went to Chicago and worked with casting director David O’Connor, where she honed her casting skills.
“I learned so much about casting for film and commercials from the best,” Ray said. “David O’Connor taught me how to quickly analyze talent and bring the best out of them. It is an art; it really is. He taught me the creative side and the business side. You need both to be successful. He runs a tight ship, and I try to do that, too.”
In the last year and a half, Ray cast actors for many movies including “Stone” with Robert DeNiro and Edward Norton, “Betty Ann Waters” starring Hillary Swank and “Up In The Air” with George Clooney. She is currently casting speaking roles for the film “Alleged,” which is shooting in Flint at Crossroads Village. Written by Michigan native Fredrick Foote, the film explores the Scopes Monkey Trial about evolutionary theory.
She works closely with the talent agencies representing local actors. Ray compiles the best auditions on a reel to show the director, who makes the final judgment. Once in a while, she has trouble finding the perfect actor for a role and casts her net outside the normal channels.
“I have a neighbor who played high school football, and I needed a football player. I asked him to audition and he got a roll in a Kim Cattrall film last year. Recently, I interviewed people who lost their jobs, and six of them were flown to L.A. to be interviewed, documentary-style, for the film ‘Up in the Air’ with George Clooney,” she said.
State film incentives enacted in the spring of 2008 are bringing filmmakers to the state, and local actors are getting a real shot at film roles.
In some cases, some California-based actors are willing to fly in even for a couple of lines. With this once in a lifetime opportunity at hand, Ray urges local actors to embrace the opportunity.
Carrie Ray has a few golden rules for new actors:
Be available — when you get a call be on time and dependable;
Be prepared — know the script and ask any relevant questions such as what do I wear, where do I go and is there a script I can study;
Be professional — work hard and do a good job. Make yourself stand out, be unique and integrate parts of yourself into the character to make it is your own;
And, finally, always have a headshot, which is your calling card. That’s an 8-by-10 picture of your head and shoulders with your resume attached. It should reflect your personality. After all, it is really all about you. (Copyright 2009 - All Rights Reserved - Na)
Saturday, September 19, 2009
College student acts in ‘The Genesis Code’
By NANCY McCAULEY BRANSTETTER Special to The Oakland Press
A group of Hollywood actors stood before a 30-foot green screen in a Grand Rapids warehouse last week, pretending to witness the birth of the universe.
The matter and such will be added later in post production, so the actors must draw on their imaginations to react to the wonders they are not really seeing.
“The Genesis Code” began its 30-day production schedule in Grand Rapids in early August and filmed the green screen magic. The film centers on two college students who struggle to reconcile creationism with their faith. A third of the cast and crew are Michigan residents, including Jil Szewski of Oxford.
Szewski graduated from Grand Valley State University in 2007 with a degree in film and video, and set her sights on becoming an assistant director — the link between the director and the cast and crew.
The film industry has exploded in Michigan since last year, when the state adopted tax credits of up to 42 percent to filmmkakers working here.
“I thought I would have to move to New York, Los Angeles or Chicago, but when the film incentives passed, opportunities popped up here at home,” Szewski said. “I’ve worked on nine films. I’ve been able to workmy way up and will have my dream job on my next film, ‘Grey Sky.’
“The assistant directors on ‘Genesis Code’ have taken me under their wing to get me ready,” she added with a huge smile.
“The Genesis Code” is a $7 million feature-length film. The cast includes Ernest Borgnine, Fred Thompson, Louis Fletcher and Rance Howard, a veteran actor and father of actor-director Ron Howard.
Twenty-five-year-old Logan Bartholomew plays a handsome college hockey player.
Mark VanderWal, spokesman for “The Genesis Code,” said the film could not have been made in Michigan if the state did not offer incentives. Instead, it would have been shot in New Mexico and Louisiana. Both states offer film incentives.
“Working in Michigan is very different than working in L.A.,” Bartholomew said. “People are very kind, and I am having a great time exploring the local shops and restaurants,” he added.
Adam Chambers, who plays a brilliant student and convincingly delivers difficult scientific lines about time and space and the origin of the universe, said he is also enjoying his Michigan experience. He even visited a state fair in Lowell.
“Everyone is so nice. I off-handedly mentioned candy would taste good after a very long day on set, and when I got back to by trailer there were Skittles waiting for me,” Chambers said, beaming.
“They are spoiling me and it is great.”
The film, from Michigan-based American Epic Entertainment, will be in theaters around the holidays.
A group of Hollywood actors stood before a 30-foot green screen in a Grand Rapids warehouse last week, pretending to witness the birth of the universe.
The matter and such will be added later in post production, so the actors must draw on their imaginations to react to the wonders they are not really seeing.
“The Genesis Code” began its 30-day production schedule in Grand Rapids in early August and filmed the green screen magic. The film centers on two college students who struggle to reconcile creationism with their faith. A third of the cast and crew are Michigan residents, including Jil Szewski of Oxford.
Szewski graduated from Grand Valley State University in 2007 with a degree in film and video, and set her sights on becoming an assistant director — the link between the director and the cast and crew.
The film industry has exploded in Michigan since last year, when the state adopted tax credits of up to 42 percent to filmmkakers working here.
“I thought I would have to move to New York, Los Angeles or Chicago, but when the film incentives passed, opportunities popped up here at home,” Szewski said. “I’ve worked on nine films. I’ve been able to workmy way up and will have my dream job on my next film, ‘Grey Sky.’
“The assistant directors on ‘Genesis Code’ have taken me under their wing to get me ready,” she added with a huge smile.
“The Genesis Code” is a $7 million feature-length film. The cast includes Ernest Borgnine, Fred Thompson, Louis Fletcher and Rance Howard, a veteran actor and father of actor-director Ron Howard.
Twenty-five-year-old Logan Bartholomew plays a handsome college hockey player.
Mark VanderWal, spokesman for “The Genesis Code,” said the film could not have been made in Michigan if the state did not offer incentives. Instead, it would have been shot in New Mexico and Louisiana. Both states offer film incentives.
“Working in Michigan is very different than working in L.A.,” Bartholomew said. “People are very kind, and I am having a great time exploring the local shops and restaurants,” he added.
Adam Chambers, who plays a brilliant student and convincingly delivers difficult scientific lines about time and space and the origin of the universe, said he is also enjoying his Michigan experience. He even visited a state fair in Lowell.
“Everyone is so nice. I off-handedly mentioned candy would taste good after a very long day on set, and when I got back to by trailer there were Skittles waiting for me,” Chambers said, beaming.
“They are spoiling me and it is great.”
The film, from Michigan-based American Epic Entertainment, will be in theaters around the holidays.
Steele performs on Broadway
By Nancy McCauley
You've probably heard these lyrics to Jet Song from Broadway's legendary musical “West Side Story” — “When you're a Jet, you're a Jet all the way.” Ryan Steele, 19, of Walled Lake became a member of the famous 1950s New York gang in July 2008, when he was cast to play the role of Baby John in the Broadway revival. Ryan's finger-snapping, high-energy moves have audiences on their feet with applause eight shows a week.
Leading the standing ovation at a recent Saturday night performance was his mother, Joan Steele, who is supervisor of food services for Huron Valley Schools. She's seen the show several times and brought three colleagues enjoy the “West Side Story” experience.
“Seeing a Broadway show is so different when you know someone in the cast” said Joan Steele. “I've told so many people at work about Ryan and his big break on Broadway, that my friends wanted to come and see him. He is just amazing.”
Ryan's cast picture is on the wall above Joan's desk at Highland Middle School and draws attention from students and staff. An aspiring young dancer attending the school tracked her down to tell her he is a huge fan of her famous son.
“It is such fun being Ryan's mom. At least a half dozen staff members have made the trip to New York to see Ryan in West Side Story. They met Ryan at the stage door after the show, and he made them feel special. He appreciates the visitors because he misses home.”
Steele began dancing at Walled Lake Dance Dynamics studio at the age of 6, attended Walled Lake Central and graduated from Clonlara School in Ann Arbor in 2008.
“I thought my career was headed toward concert dance, and was asked to join Ballet Austin (Texas), but it took an unexpected turn,” smiled the charismatic athletic blond dancer.
Ryan was in New York City in May 2008 for a dance competition. As he headed for the airport, a teacher suggested he audition for ‘West Side Story.”
“I didn't even have a song to sing for the audition,” Ryan shrugged. “I bought some sheet music for “Sixteen going on Seventeen” and took my shot.”
Within a couple of hours, he'd received a call-back and was headed toward a career in musical theater. Ryan survived several more singing and dancing auditions before receiving word last July that he would be part of the Broadway classic, pitting his razor sharp dance nightly against the Sharks' Hispanic-style moves.
The producers tested the show before audiences in Washington, D.C., before opening on Broadway March 19 of this year.
Ryan has completed more than two hundred performances, never missing a show.
Additional Factshttp://www.hometownlife.com/apps/pbcs.dll/article?AID=/20090917/LIFE/909170469&template=printart
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